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Shape

A curated international photography exhibition

October 19 – November 12, 2024                                                         newsletter

Untitled
Models Muse
641-645
Tako-Tsubo 2
Seaurchin
Chalk Cliff
My Book of Shadows 17
Schonbuchturm
Wheel
Oaxaca umbrellas
Windows of Guatemala
Chadelier
Scales
Circles
Yin Yang
Shapes 4
Shapes 6
Shapes 7
Decay
Deep Port 1
Deep Port 3
The Shape of Wine
Hard Rock
Living Rock
Untitled
Untitled
Floors & Doors
Helix
Entrance Hall
Red Circle
Solar System
Three Stones
Dark Portal
This Is Not A Shell
Back and arms
Knees
Louvre 1
Louvre 3
Lenoir-R-07-13-24--5525
Lenoir_R-11-01-22--4608
Rubber Ducky
Fashionista Flamingo
Cruise Ship Stairs
Hospital Crosswalk 2
Shapes 1
Shapes 8
Pattern 2377 DN
Photogram 131 DN
LRP175
LRP9878
Shapes in glass
No.160
Untitled
City Lights
"...poetically man dwells.." Martin Heidegger
...a carp in a stream... swimming against the current...
Checkered Mazatlán
Mombasa Sail
Untitled
Untitled
Altered States
Pulleys
Columns
Parenthood
Tako-Tsubo 1
Tako-Tsubo 3
Shadows
The Shape of Time
Whale Fall

Click on the thumbnail to view the image. Click on the image for a larger view and information.

 

Shapes are one of the most important aspects of creative photographic compositions. Living beings and inanimate objects, including the built environment, come in many forms, and photographers often rely on the creative possibilities offered by their shapes. While in some cases the images of things only serve a depictive function, at the other end of the spectrum, abstract photography concentrates on shapes and forms for their own sake, to the point where we can no longer recognise the depicted objects themselves. Between being either insignificant or the only significant element, the shape of recognisable forms may also be the driving compositional component of an image. That is, the shapes of living beings and objects may be of central importance to the composition of photographs, not only in abstract photography but also in virtually all other photographic genres. These images capture our attention and stand out for their creative compositional form. 

Curator's choice

Maks Dannecker: Untitled

Honourable mentions

John Potter: Models Muse

Letta Sed: 641-645

Ingrid-Nathalie Wizun: Tako-Tsubo 2

Exhibiting photographers

Kasper Bergholt (Copenhagen, Denmark), Eva Brunner (Berlin, Germany), Katrina Buckles (Boblingen, Germany), Harvey Castro (Oakland, CA, USA), Maks Dannecker (Berlin, Germany), Todd Dieringer (Akron, OH, USA), Mark A. Dierker (Dubuque, IA, USA), Sari Fried-Fiori (Katy, TX, USA), László Gálos (Salgótarján, Hungary), Denise Heinrich-Lane (Sète, France), Heather Hendricks (Portland, OR, USA), Leena Holmström (Oulu, Finland), András Ikládi (Szentes / Xiamen, Hungary / China), Don Kline (Baltimore, MD, USA), John Kosmer (Fly Creek, N, USA), Alison Lake (Monterey, CA, USA), Vita Foldi Levar (Palatine, IL, USA), Richard Luxton (Bristol, UK), Heather C. Markham (Clarkdale, AZ, USA), Dan McCormack (Accord, NY, USA), Janet Milhomme (Los Angeles, CA, USA), Robert Morrissey  (Portland, OR, USA), Fern L. Nesson (Cambridge, MA, USA), Joseph O’Neill (New York, NY, USA), Eliott Jule Peacock (Olivebridge, NY, USA), Stelvio Peti (Rome, Italy), Sandi Pfeifer (Pittsburgh, PA, USA), John Potter (Sherrill, IA, USA), Natalia L Rudychev (New York, NY, USA), Karen Safer (Playa del Rey, CA, USA), Gabriel Sallum (Belo Horizonte, Brazil), Letta Sed (Warsaw, Poland), Allan Syphers (Gwynedd Valley, PA, USA), Ildikó Szabó (Kisberény, Hungary), Ingrid-Nathalie Wizun (Montreuil, France), Rainer Würth (Fajã Grande / Lajes Das Flores / Azores, Portugal), Zhikun Yang (Kunming, China)

Please click on the names to see contact information (website or e-mail) where available.

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