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The material nature of photographic subjects might be considered trivial, given the very nature of photography itself. There are, however, images whose photographic meaning emerges from the way the photographer approaches the materiality of objects, such as glass, metal, concrete, wooden, plastic, and all the other natural and artificial materials. Masters of photography often studied the texture, form and other physical qualities of objects with respect to their capacity to enrich the composition and the communicative photographic content of images. From architectural photography to still life, from portraits to experimental photographic images and abstract photography, qualities of the subject’s material often gain significance to be noticed and interpreted by the viewer. 

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Juror's choice

Brian Cann: Net 1, 2 and 3 from the Series 'Networking'

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Honourable mentions

Patricia Littlefield: Accidental Cactus

Szilárd Schlauszky: Wall texture

Dejan Todorović: Glitch

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Exhibiting photographers

 

 

 

 

Alfons Cabrera (Barcelona, Catalonia), Joe Cancilla (Montreal, Canada), Brian Cann (Waldenbuch, Germany), Todd Dieringer (Akron, OH, USA), Julie Fowells (Los Angeles, CA, USA), László Gálos (Salgótarján, Hungary), Nadide Goksun (Scarsdale, NY, USA), Leena Holmström (Oulu, Finland), Mario Karlovcec (Ljubljana, Slovenia), Patricia Littlefield (New Paltz, NY, USA), Yoshitaka Masuda (Tokyo, Japan), Malgorzata Mikolajczyk (Warsaw, Poland), Rachel Nixon (Vancouver, Canada), Allison Roberts (St Louis, MO, USA), Szilárd Schlauszky (Székesfehérvár, Hungary), Charles Andrew Seaton (Surat Thani, Thailand), Dejan Todorović (Belgrade, Serbia)

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Please click on the names to see contact information (website or e-mail) where available.

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