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Dis/harmony

A curated international photography exhibition

December 14, 2024 – January 7, 2025                                                   newsletter

Out Of Chaos, Perfection
Laundry manoevers (in the dark)
I am water, my friend, No. 6
Sea Witch, No 1
Fourths
waves iii
Absorbing Night
Iron Bird
Binary Number System
Solitude
Who gives a damn (about any trumpet playing band)?
A simple portrait of the artist known as Gerhard
Embracing the Day
Nuances of Color
Subtle Layers of Meaning
After the Missile
Forgotten Flight
Golden
Tranquility
Delhi Life: Hard Labor
Slum Play: All broken around them, yet children find a way to Play
Folded Secrets
Inner Knowledge
Booked
Abduction Scene
Great Balls of Fire
Power
Body studies 40
Institutionalized Blur
Life in Living Blur
Festive Blur
forgotten 1
forgotten 2
hello
Do Not Stand Here
The Sky Is Falling
Legs 3
Legs 4
Quantum Cafe
Hold him back
Window framed
Inner Melodies
Intentions Beneath the Surface
Restaurant Kitchen - Portland Oregon
Restaurant Window - Portland Oregon
I am water, my friend, No. 5
I am water, my friend, No. 7
Harmony 1
Harmony 2
Sea Witch No 1
Sea Witch No 2
Sea Witch No 13
Perdre Le Fil 1
Perdre Le Fil 2
Brain Fog
Scrapper Too
Metal
Earth
Air
Beach Blanket Bruegel 2
Beach Blanket Bruegel 3
Acceptance
Anguish

Click on the thumbnail to view the image. Click on the image for a larger view and information.

 

Harmony is an elusive, perhaps even ineffable aspect of photographic images. The same can be said for disharmony, its potentially disturbing, but often stimulating opposite. While many photographers share the view that the communicative impact of images is enhanced by harmony, there are countless individual artistic interpretations of what makes an image harmonious or disharmonious. Some view harmony primarily as a visual compositional feature, accepting the unusual, the unexpected, or even the disturbing within the realm of compositional harmony or disharmony. For others, harmony is also a thematic concept, and they find harmonious elements in the communicative content of the image, arising from the various interactions depicted. The intentional lack of harmony can also lead to some of the most creative photographic compositions. All photographic genres utilise compositional elements to create the sense of harmony or its opposite.

Curator's choice

John Kosmer: Out Of Chaos, Perfection

Honourable mentions

Brian Cann: Laundry manoevers (in the dark)

Sabine Nagel (frau_odysseus): I am water, my friend, No. 6

Nancy Oliveri: Sea Witch, No 1

Exhibiting photographers

Aden Albert (Greenville, SC, USA), Michał Amerek (Podłęże, Poland), Bálint Bak (Pécs, Hungary), Béla Balog (Budapest, Hungary), Brian Cann (Waldenbuch, Germany), Mary Constantine (Las Cruces, NM, USA), Serhii Diedushev (Kriviy Rig, Ukraine), Richard Eveleigh (Salisbury, UK), Janelle Freiman (La Jolla, CA, USA), Sari Fried-Fiori (Katy, TX, USA), Yiannis Galanopoulos (Abu Dhabi, UAE), László Gálos (Salgótarján, Hungary), Eian Hazzard (Sandy Springs, GA, USA), Denise Heinrich-Lane (Sète, France), Bruce M. Herman (Eagle River, AK, USA), Leena Holmström (Oulu, Finland), John Kosmer (Fly Creek, N, USA), Richard Luxton (Bristol, UK), Raheleh Mohammad (Cleveland, OH, USA), Robert Morrissey (Portland, OR, USA), Sabine Nagel (frau_odysseus) (Potsdam, Germany), Fern L. Nesson (Cambridge, MA, USA), Nancy Oliveri (Estero Island, FL, USA), Léna Piani (Ajaccio, France), John Potter (Sherrill, IA, USA), Anelyn Rădulescu (Bucharest, Romania), Russ Rowland (New York, NY, USA), Allan Syphers (Gwynedd Valley, PA, USA)

Please click on the names to see contact information (website or e-mail) where available.

This exhibition was supported by the Local Government of Ferencváros District (Budapest Főváros IX. Kerület Ferencváros Önkormányzata).

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