top of page
Significant Colour

A curated international photography exhibition

October 26 – November 13, 2021                                                          newsletter

Go for it - London - 2020
Chameleon
Waking Dream: Strongman 4986
Bubble thing
Locked Door
Merlot
City Colours 1
City Colours 2
Alice's Garden
Night Lights
Reflections
Season’s End
119 - London - 2021
Blue Morning
Primaries
Camouflage
Untitled
Untitled
Blue Backlighting
Cosmic Wind
Bijoux
Trickle
The Power of Red 1
The Power of Red 2
Street Colours No. 5
860 Days at Acheron #10
Royal Crown
Blue Church Door
White Paper Red Arc
Reflections on the water.
A sand dune of Australian Red Centre
Seeking the Wisdom of Eve No. 1
A max of pleasure
Paradoxical Sleep
Contemplation
Ten Minutes of Fame
Abstract
Abstract
Lemons and Silver Jug
Still Life with Tomatoes
GRID-FLAG2_Lenoir_R_01-15-21
GRID-Two-Red-Balla_Lenoir_R_04-27-19
Glacial Ice Abstract
Split in Half Glacial Ice Abstract
Cruise Control
There's A Whole World Out There
Under construction: A better world
Firestorm
Amber Fantasy
Night Blues
Vincent's Dream
Selfies in Burano
Chinatown ll, NYC
Waking Dream: Strongman 4936
Andres Pizza
Overland Hotel
August Sea
One Step
Remain
The secret life of night flower 1
The secret life of night flower 2
Boiler Door
Unknown Destinations
Berlin 2019
Milan 2019
Urbangraphy 20210722-2
Urbangraphy 20210722-4
Midnight storm
Havana Green
Window to the soul
Light through the liquor bottle
Red and wine glass
Lamentation

Click on the thumbnail to view the image. Click on the image for a larger view and information.

 

There are two kinds of photographs with respect to the significance of their use of colours. On the one hand, ever since colour film technology became widely available, colour has become the default in most photographic practices. That is, some photographs are in colour not because their colours bear some special significance (compared, for instance, to their possible black and white counterparts) but simply because the available film or digital technology has long turned colour to be the common method of capturing photographic images. We may think of these photographs as colour by default. On the other hand, colours are often central to the meaning of photographs for their emphatic, symbolic, psychological, social, compositional, etc. significance. These photographs would not work in black and white the same way or they would not work at all; that they are in colour is not merely a technological given, rather, it is an integral, formative and significant aspect of their photographic meaning. We may think of these photographs as colour by significance. 

Curator's choice

Tommaso Carrara: Go for it - London - 2020

Honourable mentions

Frédéric DeschênesChameleon

Michele Serchuk: Waking Dream: Strongman 4986

Eszter Varga: Bubble thing

Exhibiting photographers

Mildred Alpern (New York, NY, USA), Tiina Arminen (Helsinki, Finland), Karin Bauer (Bisamberg, Austria), Stu Bloom (Fairfield, CT, USA), Tommaso Carrara (London, UK), Dorie Dahlberg (Long Branch, NJ, USA), Frédéric Deschênes (Montréal, Québec, Canada), Peter Devenyi (Ottawa, Canada), Todd Dieringer (Akron, OH, USA), Mark Dierker (Dubuque, IA, USA), Francisca Filleul (Ottawa, Canada), Sari Fried-Fiori (Katy, TX, USA), José María Gallardo Valle (Cádiz, Spain), Diana Nicholette Jeon (Honolulu, HI, USA), John Kosmer (Fly Creek, NY, USA), Ladka Kurzrock (Sydney, NSW, Australia), Stefanie Lebowski (Paris, France), Michelle Luke (Kalispell, MT, USA), marcellus (Roosendaal, Netherlands), Michelle Markham (London, UK), Ron Mayhew (Bradenton, FL, USA), Dan  McCormack (Accord,  NY, USA), Debbie McCulliss (Greenwood Village, CO, USA), Rachel Nixon (Vancouver, Canada), Noa Reichenberg (Hertzelia, Israel), Renee Rivard (Colorado Springs, CO, USA), Inna Rogatchi (Turku, Finland), Marian Rubin (Montclair, NJ, USA), Michele Serchuk (New York, NY, USA), Stuart Skalka (Sparks, NV, USA), Mary Sloane (Santa Fe, NM, USA), David Solomita (San Francisco, CA, USA), Maja Strgar Kurecic (Zagreb, Croatia), Allan Syphers (Gwynedd Valley, PA, USA), Judit Szekulesz (Budapest, Hungary), Ilya Trofimenko (Dresden, Germany), Eszter Varga (Kecel, Hungary), Eddy Verloes (Boutersem, Belgium), Eiji Yamamoto (Saarbruecken, Germany), Root Yarden (Upper Galilee, Israel)

Please click on the names to see contact information (website or e-mail) where available.

  • Black Facebook Icon
  • Black Instagram Icon

Copyright © 20122024 PH21 Gallery

The copyright of each image on this site is held by the photographer.

bottom of page