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Monochrome

A curated international photography exhibition

November 16 – December 10, 2024

Midday
The Seal
Stained Glass
Anatomy of a choice 1
Cityscape
Nighttrain
Mirror
The Wisdom of the Earth
Impression
Train station
Print of Light No. 1
Print of Light No. 2
Eye
Shape
Emptiness
Mirror
Bench Texas Pavilion 1971
Tibetan Monk Mandala
Play Space, from Death of a Shopping Mall project
Wolfe Fine Jewelers, from Death of a Shopping Mall project
Cast
Anatomy of a choice 5
Dawning
Hill Mist
Lady In Red
Alive
Glacier
Angular
30th July, 2024
Erie tracks
Stumps and shadows
Alone / Egyedül
Sumacs in the snow / Szömörcék hóban
Abandoned
Tortured Palm
Ad Infinitum
Untitled
Church & Crosswalk
Grand Central
Cathedral Garden
Introspective
Seeking
Untitled
Untitled
Berber Life
Peek at a Peak
Reflection
American Reckoning
The Snake Whisperer
Schiempflug's Pint
Untitled
Untitled
Exposed No. 1
Memento Mori Vivere, No 1
Memento Mori Vivere, No 2
Photogram 131
Photogram 73
Outside
The Library
Jumbled
Delicate Feeding
Lingering Event
Car Wash Series #4
Car Wash Series #8
Untitled
Untitled
Against All Odds
Way Out
Terminus
The big stone
Faja Grande 2
Faja Grande 3
Untitled
Untitled

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Current Calls for Entries​​

Upside down

A curated international photography exhibition

February 8 – March 4, 2025 

While photographs are valued for their depictive potential and representative content, the non-depictive, non-representational aspects of photographic works are also strongly related to their aesthetic significance. In this spirit, art photography has always aimed for the unity of form and content. Abstract photography has gone even further, celebrating abstract compositions for their own sake, without the need for appreciating or even recognising depictive content in the images. Turning a photograph upside down tends to strip it of its representative function because the depicted scene and objects are difficult, if not impossible, to recognise when the image is turned on its side or upside down. However, the formal, compositional aspects of photographs become more pronounced in this manner, as our attention is directed away from scene and object recognition. In our Upside down exhibition, we aim to showcase photographs that are indeed turned upside down. Any photograph is eligible if the artist is willing to present it in this unconventional way. Abstract photographs might be considered the most suitable candidates for this experimental exhibiting method, but there are many depictive works as well whose compositional qualities might also be appreciated in novel ways when turned upside down. This allows us to liberate ourselves from scrutinizing and concentrating solely on their representational content. Landscapes, bodyscapes, symmetrical compositions, and even architectural and street photography may be excellent candidates for presenting images upside down, but photographs from other genres may also be considered for this exhibition.

 

PH21 Gallery invites photographers to submit their work for a group exhibition with the theme Upside down. We welcome submissions from all photographers interested in this subject, eager to share their work with a broader international audience through the exposure of PH21 Gallery. The theme is broadly interpreted, as it is independent of generic or stylistic constraints. We are interested in all creative photographic interpretations of this theme.

Submission deadlines:

  • Early bird deadline: December 2, 2024

  • Final deadline: December 9, 2024

Read more and submit your work here.

Upcoming:

From Heliography to AI:
Celebrating Photographic Diversity

A curated international photography exhibition

December 9–19, 2024, PH21@Barcelona

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