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Current exhibitions                              newsletter
 

Silence

A curated international photography exhibition

January 11 – February 4, 2025

Pose
George Condo/Sprûth Magers/Berlin
Silent forest, No. 1
Shadows
Buddha Nature #1
Buddha Nature #5
Bedroom, Home 2024
Bedroom, Nantucket 1983
Untitled III
Headspace
Echo of Presence
Fixed moment
In my mind
Maltese Beach
Meditation
Silence 2
Silence 3
Solitude – Smile 6.
Morning Light on Mauna Kea l
Morning Light on Mauna Kea ll
Nigel Cooke/Pace/New York
RaoulDeKeyser/DavidZwirnewr/New York
Starlings at Ikea, Salt Lake City
Venice Morning
No Evil
Untitled
Untitled
Flaminia in the Garden
The Rose at the Monastery
Coverup
Lake
Silencer
Empty Halls
What Remains
Morning life
Silent Love
Meeresstille / Silence by the sea No. 1
Meeresstille / Silence by the sea No. 2
Meeresstille / Silence by the sea No. 3
Ghosts
Stealth
Torso 1
Torso 3
Silentium
Isolation
Silenced
A Crowd of Naive Thoughts 2
A Crowd of Naive Thoughts 8
Lenoir_R_10-26-24--1925
Lenoir-R_10-26-24--3131
Daybreak-Portland Oregon- 26
Daybreak-Portland Oregon- 27
Silent Forest, No. 2
Silent Forest, No. 3
Silence 3
Silence 8
Christian Church
New Harmony Residential
Hard Fog
Gutted Tenement
Wet Door
Untitled
Breathing Shore 1
Breathing Shore 3
Untitled
Untitled
Flow
Future Feelings
Me-time 1
Me-time 5
All the world is a stage
A late fall morning near Hohnstein
A late fall morning near Hohnstein II
Just Let Me Know Somepoint That You're Fine
Unclear Future
Silence sequenza 1
Silence sequenza 1
Bungalow 17.1
Bungalow 17.2
Coast No. 1
Coast No. 3

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Current Calls for Entries​​

The natural and the artificial

A curated international photography exhibition

April 5–29, 2025  

The natural and the artificial are diametrically opposed concepts that evoke contrasting ideas such as organic versus geometric, spontaneous versus designed, instinctive versus deliberate, wild versus tamed, and more. However, there exists a continuum between these opposing forces, manifesting in the form of tamed nature like gardens or abandoned spaces being reclaimed by nature, for instance. The interplay, cross-border interactions, struggles, and coexistences of the two at these junctures provide unique experiences to explore, especially in the visual realm. Throughout the history of the medium, photographers have been drawn to the creative possibilities of capturing, interpreting, and presenting the natural, the artificial, and their many intertwined forms. Images of these subjects are among the most captivating ways of elucidating our intricate and often conflicting relationship with our environment. By exploring and depicting the natural and the artificial in all their varied forms, photographers can offer us insight into the complexities of the world we inhabit.

 

PH21 Gallery invites photographers to submit their work for a group exhibition themed The natural and the artificial. We are looking for submissions from all photographers who are interested in this subject and would like to share their work with a wider international audience through the exposure of PH21 Gallery. The theme is broadly construed, without generic or stylistic constraints. Indeed, we are interested in all possible creative photographic interpretations of the theme.

Submission deadlines

  • Early bird deadline: January 27, 2025

  • Final deadline: February 3, 2025

Read more and submit your work here.

Feminine / Masculine

A curated international photography exhibition

May 3–27, 2025

Portrayals of femininity and masculinity are, without a doubt, central to numerous art forms, with photography being no exception. The past few decades have sparked often heated discussions and criticisms of past, recent, and current photographic practices due to their lack of reflection on the assumptions, stereotypes, and prejudices surrounding approaches to femininity and masculinity. Both fine art and commercial works have been critiqued for the potential consequences of their approach and presentation. Historically, femininity and masculinity have been conceived as oppositions, complements to each other, or positions on a continuum, among other perspectives. There are scarcely any ways of portraying femininity and masculinity that would not be considered trivial, conservative, pretentious, demeaning, distasteful, clichéd, or even offensive by some. It often seems that everything has been said and photographed on this subject; however, it is impossible to ignore the persistence of the theme in our contemporary visual culture. What can we still value and possibly revive from the rich history of photography? Are there any novel ways left to approach this subject with a fresh critical eye?

 

PH21 Gallery invites photographers to submit their work for a group exhibition themed Feminine / Masculine. We welcome submissions from all photographers interested in this subject, aiming to showcase their work to a broader international audience through the exposure provided by PH21 Gallery. The theme is broadly construed, as the photographic portrayal of femininity and masculinity transcends generic or stylistic constraints. We are keenly interested in all possible creative photographic interpretations of the theme.

Submission deadlines

  • Early bird deadline: February 24, 2025

  • Final deadline: March 3, 2025

Read more and submit your work here.

Upcoming:

Upside down

A curated international photography exhibition

February 8 – March 4, 2025

Read more...

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